Horses that heal help kids cope with loss
Posted: Oct 27, 2012 7:35 PM EDT
By Jacqueline Quynh, Multimedia Journalist - email
As posted on KTIV.com
Tuesday, October 30, 2012
Horses Help Kids Cope With Loss
Camp Hearts' N Hooves uses horses to help kids cope with the loss of a loved one, like their mom or dad. This is another story that proves that there is no such thing as an unwanted horse and that horses can be used to help people like these kids and even veterans. Check out all the other stories I have posted on my blog and on my Children 4 Horses Facebook page, about how horses help people every day. ~Declan
Horses that heal help kids cope with loss
Posted: Oct 27, 2012 7:35 PM EDT
By Jacqueline Quynh, Multimedia Journalist - email
As posted on KTIV.com
Horses that heal help kids cope with loss
Posted: Oct 27, 2012 7:35 PM EDT
By Jacqueline Quynh, Multimedia Journalist - email
As posted on KTIV.com
Monday, October 29, 2012
HSUS Preps for Animal Rescues from Hurricane Sandy
October 29, 2012
Hurricane Sandy Threatens People, Pets
The HSUS preps for rescues, urges animal owners to be ready for "Frankenstorm"
For the latest information on pet-friendly emergency shelters and other local resources, stay in touch through The HSUS's Twitter feedand Facebook page. (No need to have your own Twitter or Facebook account to see the updates.)
Hurricane Sandy is aimed at the East Coast of the United States, on a course to become a storm of historical proportions. If you haven't already made a plan for your pets, or if you're evacuating, be sure to take your pets with you.
The HSUS's Animal Rescue Team is assembling staff and equipment for disaster response and is poised to help stricken communities in the Mid-Atlantic and Northeast. Please make an emergency donation to support our disaster relief efforts.
The HSUS's state directors have been in action already, helping local shelters, staffing a Unified Operations Center, advising pet-friendly polices at human shelters, and reminding everyone to include pets during evacuations.
On a beach in New Jersey, a deer confused by storm preparations ran into the ocean (see photos above). A caring person, Eric Walsh, pulled the deer from the surf, but the deer lacked the strength to move inland.
Our New Jersey state director, Kathleen Schatzman, rounded up wildlife rehabilitators, the Montmouth County police, and New Jersey's Associated Humane Societies. Through a combined effort the buck was tranquilized and removed from the beach, for perhaps the first animal rescue of the storm.
ASPCA How to Prepare Your Pets for Hurricane Sandy
Here's is important information for you and your pets during Huricane Sandy. Follow and use hashtag #SandyPets on Twitter for animal-related Hurricane Sandy updates! ~Declan
How to Prepare Your Pets for Hurricane Sandy
Sunday, October 28, 2012
Declan Filmed for ASPCA Video at Humane Awards
A film crew was here last month to help tell my story at the ASPCA's awards luncheon. It was an AWESOME experience and Kate Milliken, the producer from Milligrace Productions, was really cool and GREAT to work with!!
I had to put on a cool microphone that made Justin able to hear everything I said! The crew was very kind to me and very helpful.
Since I don't have a horse of my own, my friend let me use his pony named Riley that he leases, to get some video footage of me with horses. Riley lives at a beautiful farm owned by a friend of my mom's who she used to ride with. It was a GREAT place to spend the day!
Riley was a very nice and well behaved pony, who willing walked with me and was great to get to film with!
After the crew had me walk Riley around they had me go and sit down and they positioned a big microphone above me.
Mrs. Milliken asked me all sorts of questions like, "Why are you so passionate about horses?", and "Why does this issue matter to you?", and "Were you nervous when you spoke to Congress and Senate about this terrible issue?"
Mrs. Milliken put my dad to work and had him hold up the reflector to get the lighting just right for my interview. She also interviewed my mom and dad for the film.
I had a really fun time and enjoyed myself very much! It was an interesting experience and I learned alot. I can not wait to see the video because I am sure it will be wonderful!!!
Friday, October 26, 2012
Seacoast Boy Who Fought For Horses Named ASPCA's Kid if the Year
Thank you Joey Cresta for a great article! ~Declan
Seacoast boy who fought for horses named ASPCA's Kid of the Year
Declan Gregg of Greenland pets Barney on an afternoon in February this year at the N.H. SPCA in Stratham. Gregg testified against horse slaughter this year before lawmakers in Washington, D.C.
Seacoast boy who fought for horses named ASPCA's Kid of the Year
Declan Gregg of Greenland pets Barney on an afternoon in February this year at the N.H. SPCA in Stratham. Gregg testified against horse slaughter this year before lawmakers in Washington, D.C.
Ioanna Raptis/iraptis@seacoastonline.com
As posted at Seacoastonline
By Joey Cresta
jcresta@seacoastonline.com
October 23, 2012 2:00 AM
GREENLAND — A 10-year-old local boy has been named winner of the American Society for the Prevention of Cruelty to Animals' Kid of the Year award for his efforts to fight horse slaughter in the United States.
Declan Gregg, of Greenland, who enjoys spending time with the horses at the N.H. SPCA office in Stratham, and who learned about horse slaughter earlier this year, has spent the better part of 2012 pushing lawmakers in Washington, D.C., to do something about the practice.
Horse slaughter is a controversial topic in the United States, with opponents saying the process is cruel toward horses and that the meat is not fit for human consumption. Though horse meat is not commonly consumed in this country, it is considered a delicacy in other parts of the world.
In response to the controversy, Gregg started a Web site, www.children4horses.blogspot.com, and began speaking with lawmakers about why he felt horse slaughter was wrong. He testified before the N.H. House Environment and Agriculture Committee and traveled to Washington to present letters to Congress as part of the Million Horse March children's letter-writing campaign to stop horse slaughter.
The ASPCA noted in its award announcement that Gregg's efforts garnered the support of Congressman Frank Guinta, R-N.H., who has co-sponsored the American Horse Slaughter Prevention Act.
"Declan spoke before celebrities, Congressmen and Senators to lobby against horse slaughter and advocate for the protection of horses under the Act. His blog, which has been visited by individuals in more than 80 countries, provides commentary on horse advocacy issues and also includes poetry, news, photos and artwork," the ASPCA noted.
The ASPCA's Kid of the Year award is dedicated to Tommy P. Monahan, a 9-year-old Staten Island, N.Y., boy who died in 2007 trying to save his dog from a house fire.
In total, the ASPCA gives out seven awards, including dog and cat of the year, as part of its annual Humane Awards. They will all be honored at a luncheon in New York City on Thursday, Nov. 8.
On his blog, Gregg expressed his appreciation to the ASPCA for the award.
"I am so honored to have been chosen to receive this year's ASPCA's Humane Kid of the Year Award," he wrote. "I can't wait to go to New York City to meet all the other wonderful award recipients and thank all the people who have supported me at the ASPCA."
jcresta@seacoastonline.com
October 23, 2012 2:00 AM
GREENLAND — A 10-year-old local boy has been named winner of the American Society for the Prevention of Cruelty to Animals' Kid of the Year award for his efforts to fight horse slaughter in the United States.
Declan Gregg, of Greenland, who enjoys spending time with the horses at the N.H. SPCA office in Stratham, and who learned about horse slaughter earlier this year, has spent the better part of 2012 pushing lawmakers in Washington, D.C., to do something about the practice.
Horse slaughter is a controversial topic in the United States, with opponents saying the process is cruel toward horses and that the meat is not fit for human consumption. Though horse meat is not commonly consumed in this country, it is considered a delicacy in other parts of the world.
In response to the controversy, Gregg started a Web site, www.children4horses.blogspot.com, and began speaking with lawmakers about why he felt horse slaughter was wrong. He testified before the N.H. House Environment and Agriculture Committee and traveled to Washington to present letters to Congress as part of the Million Horse March children's letter-writing campaign to stop horse slaughter.
The ASPCA noted in its award announcement that Gregg's efforts garnered the support of Congressman Frank Guinta, R-N.H., who has co-sponsored the American Horse Slaughter Prevention Act.
"Declan spoke before celebrities, Congressmen and Senators to lobby against horse slaughter and advocate for the protection of horses under the Act. His blog, which has been visited by individuals in more than 80 countries, provides commentary on horse advocacy issues and also includes poetry, news, photos and artwork," the ASPCA noted.
The ASPCA's Kid of the Year award is dedicated to Tommy P. Monahan, a 9-year-old Staten Island, N.Y., boy who died in 2007 trying to save his dog from a house fire.
In total, the ASPCA gives out seven awards, including dog and cat of the year, as part of its annual Humane Awards. They will all be honored at a luncheon in New York City on Thursday, Nov. 8.
On his blog, Gregg expressed his appreciation to the ASPCA for the award.
"I am so honored to have been chosen to receive this year's ASPCA's Humane Kid of the Year Award," he wrote. "I can't wait to go to New York City to meet all the other wonderful award recipients and thank all the people who have supported me at the ASPCA."
Rare Horse Breeds Proves Crucial to Delicate Ecosystem
This story shows how removing horses from their natural habitat actually hurts ecosystems. This special breeds is being re-introduced to help restore natural reserves in Europe.
We need to STOP the round-ups and end horse slaughter!! Join the Children 4 Horses page on Facebook for more information on horses and other great stories. ~Declan
A rare breed of horse once at the centre of Nazi experiments has been recognized as a key part of plans to restore delicate wetlands.
The project to restore them to Kentish wetlands is a joint venture between the Wildwood Trust, near Canterbury, English Nature and Kent Wildlife Trust.
We need to STOP the round-ups and end horse slaughter!! Join the Children 4 Horses page on Facebook for more information on horses and other great stories. ~Declan
Rare horse breed proves crucial to delicate ecosystem
By Horsetalk.co.nz on Jun 01, 2012 in Horse Breeds
A rare breed of horse once at the centre of Nazi experiments has been recognized as a key part of plans to restore delicate wetlands.
It is now acknowledged that the grazing habits of the rare Konik breed – the name meaning small horse in Polish – play a crucial part in helping to make wetlands more habitable for other species.
They are a highly unusual breed, descended directly from the Tarpan, the wild European forest horse hunted to extinction in Britain in Neolithic times.
Tarpan survived in central Europe until the late 1800s when the last were captured in the primeval forest of Bialoweiza, Poland, and taken to zoos. The last died in 1910.
The Konik breed have a story which is nearly as harrowing as the Tarpan.
In the early 20th century, Polish scientists noticed Tarpan-coloured foals – mouse grey overall with zebra stripes on their legs and dark manes and tails – were still being born to domestic mares in herds where Tarpan had formerly ranged.
It was also noticed that they turned whiter over winter – another Tarpan trait.
They selected these and back-bred them successfully over generations to recreate the extinct forest horse.
Between the two world wars, German zoo directors were supported by senior Nazi party officials such as Herman Goering in their effort to recreate these primeval horses. The Tarpan featured heavily in German folklore and their recreation through racially selective back breeding supported the Nazis eugenic race theories.
A Konik mare and foal. © Les Willis
After the Nazi invasion of Poland, whole herds where stolen and transported back to Germany where matters took a darker turn, the horses becoming part of genetic experiments trying to back-breed a German Tarpan. The horses were sadly eaten by the starving population of Berlin and Munich when the Russians invaded in the final days of the war.
Polish scientists looking after wild horse herds managed to protect some, and after the war the protected herds were allowed to repopulate the national parks of Poland under Soviet occupation.
When the Iron Curtain fell, conservationists were at last able to transport the wild horses to national parks across Europe.
Wildwood Trust pioneered the re-introduction of these horses to Britain in 2002. It brought the first ever of their breed to arrive in southern England and these horses and their offspring have been helping to restore some of the most precious national nature reserves in the UK.
Since this time, conservation grazing projects throughout Europe have used the Konik horses for wetland grazing projects. The former habitat of Tarpan was marshy woodland where their grazing activities help create ideal living conditions for a host of associated wildlife such as rare geese, spoonbills, bitterns and corncrakes.
The project to restore them to Kentish wetlands is a joint venture between the Wildwood Trust, near Canterbury, English Nature and Kent Wildlife Trust.
At present, most of the trust’s herd are grazing at nature reserves around the county. Wildwood Trust runs Woodland Discovery Park, a visitor attraction which forms part of their strategy to save native and once-native wildlife from extinction.
Its plans involve releasing large wild herbivores and developing conservation grazing systems to restore natural ecological processes to help Britain team with wildlife again.
Wildwood includes a forest enclosure where Konik horses retired from the trust’s main herds can spend their days, providing the many visitors with a good look at the remarkable breed.
Back from the brink
The Tarpan may have been officially extinct by 1910, but the tarpan-like characteristics of some horses in their former home range had not escaped attention.
In the lead-up to World War 2, two people in particular took a special interest in the tarpan-like domestic ponies called Bilgoraj Konik, which were used by remote polish peasants.
The peasants where too poor to feed the horses through winter so would let them roam wild and recapture them for agricultural work the next spring.
Two men now tried to “re-breed” the Bilgoraj Konik – one Polish and one German.
The Pole was Tadeusz Vetulani, of Poznan University, who began selecting Koniks for a tarpan re-breeding project in the Bialowieza Forest.
Two of his Koniks, a male and female, had the tendency to turn whitish in winter, always retaining the dark points. The project was successful and another herd was established in the Popielno Forest. Attempts were made to regenerate the European bison, also, at this time.
The other person interested in re-breeding the tarpan was Lutz Heck, the director of Berlin Zoo and an ardent Nazi. He and his brother Heinz, a director of Munich Zoo, both started tarpan re-breeding projects using a variety of horses. The brothers, both interested in German forest and hunting culture, established independent breeding groups. Both claimed success in re-breeding tarpans.
Heck was to rise through the ranks of the Nazis and held an important position in the ministry responsible for nature and forests. When Germany overran Poland during World War 2, polish Koniks were taken back to Germany for a series of genetic experiments aimed at recreating a German Tarpan.
Lutz Heck personally commanded and supervised a Nazi team that stole a number of herds of the small primitive horses from the Bialowieza National Park for their genetic experiments. He developed his re-breeding experiments with the enthusiastic support of senior Nazis, chief amongst whom was the Reichmarshal, Herman Goering.
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Thursday, October 25, 2012
Lipizzaner Horses
I have seen the Lipizzaner horses perform and they are incredibly beautiful and graceful. If you want to learn more about the amazing and famous Lipizzaner horses, read this interesting article full of wonderful facts about these fantastic horses, working hard to achieve perfection. ~Declan
Dazzling horses have rich history
JILL WORRALL
Dazzling horses have rich history
JILL WORRALL
Last updated 13:30 23/10/2012
Invasions, world wars, evacuations, rescues, disease, even an earthquake - the history of the Lipizzaner horses in Slovenia is brimming with drama.
Lipica, in western Slovenia, close to the Adriatic Sea and just two kilometres from the Italian border, is the original stud farm of the Lipizzaner horses, the most famous of which are the stars of the Spanish Riding School in Vienna.
Although the Vienna-based school now sources its horses from a stud farm within Austria's borders, Lipica is still inextricably linked with these beautiful white horses. Its story is also a microcosm of the shifting empires, allegiances and international borders that have been part of life in this corner of Slovenia for hundreds of years.
Twice I've been fortunate enough to watch the Spanish Riding School's practice sessions in Vienna but as a late northern European summer gave way to a warm autumn I had my first opportunity to visit the birthplace of the Lipizzaner breed.
The stud farm is nestled within limestone/marble country known as karst - a landscape characterised by caves, sinkholes, underground rivers and fluted, eroded outcrops. In fact, this region, Kras, is the origin of the geological term karst itself. New Zealand has its own karst landscapes, including Takaka Hill near Nelson and the Waitomo region in the Waikato.
What makes the karst landscapes around Lipica so distinctive is that rather than appearing typically barren and windswept, the stud farm is a world of rich shady pastures and tree-lined avenues. It's the result of more than 400 years of intensive interaction between man, horses and the environment. This unbroken relationship that is considered to be unreplicated anywhere else has ensured that not only is the stud farm and its historic buildings under national protection, the landscape is as well.
Oaks grow in profusion on the farm but so do linden (we know these tree better as limes). Lipica in the Slovenian language means little Linden.
In the late afternoon sunshine the trees were just starting to glow with the golds of early autumn. Staff plant a new linden tree to mark the birth of every foal.
White breeding mares and their foals grazed under the trees in paddocks alongside the main access road. What often strikes those unfamiliar with the Lipizzaner breed is that the foals are never white or grey.
These horses don't begin to turn white (in equestrian terms they are known as greys) until they are about 6 years old. Incidentally, true white horses have pink skin and sometimes blue eyes. Greys, including the Lipizzaners, have black skin and dark eyes. It was the crossing with Arab horses that introduced the grey to the Lipizzaner breed as before that they were traditionally black or bay (dark brown). Interestingly at the Spanish Riding School there is supposed to be always one dark stallion among the performers as a reminder of the horses' intriguing heritage.
Despite the horses' fame there are only about 3000 in the world, so Lipica is still a very special place and vital to the horses' survival. Breeding is carefully controlled to ensure the stock stays pure - the horses' lineage can be traced back to six of the foundation stallions in the 18th century.
Lipizzaners originated in Spain and were first brought to Lipica in 1580. These Spanish horses were a mix of Barb horses (from the Berber coast in North Africa), Andalucian and other Iberian Peninsula horses. They were brought to Lipica by the Habsburg emperor, Maximillian II, and crossed with other breeds (including a now extinct Italian breed). Arabian horses were bred into the mix from 1810.
The Habsburgs established the stud because they wanted to breed horses for the newly fashionable art of riding (as opposed to using horses simply for battle, transport and farming). They desired a horse that was strong but also agile and light on its feet.
The result is that today the Lipizzaner is regarded as one of the finest, if not the finest, riding horses in the world.
But there were many occasions over the intervening 400 years when the world nearly lost the Lipizzaners altogether. On numerous occasions the Lipica stud farm had to be evacuated, the first time in 1797 following the invasion by Napoleon, then again in 1802 into Hungary after a French occupation.
The 20th century was possibly the time of greatest upheaval for the horses. They were moved to safe havens in both world wars. The most famous of these escapes was probably that of 1945 when the Russians were advancing from the east into German-occupied territory that included Lipica. There were fears that the Russians might have used the precious horses for meat so at the command of General Patton (who had ridden in the Olympics) they were once again moved to safety. This saga was the subject of the only Disney film to be made with a war theme, which was released in 1963.
Visitors are given a refreshingly full tour of the stud farm. Refreshingly because it is all too common now to palm visitors off at attractions worldwide with a quick talk and fleeting inspection before herding them into the inevitable gift shop. Here at Lipica we had to ask how to even find the shop.
Our young guide took us first to see the breeding mares and geldings (which are used solely for riding lessons for paying customers) who spend part of their day outside in the pastures and the rest in stables. On the door of each stall is the horse's pedigree.
Most impressive of all, though, are the 18th-century stables known as Velbanca, which house the farm's true aristocrats - its stallions. This vaulted, cobble-stoned hall is home to up to 24 breeding stallions, all of whom descend from six original horses: Pluto, Conversano. Neapolitano, Maestoso, Favory and Siglavy. All but Siglavy (1810) were born in the late 1700s.
Although powerfully built (advance dressage that the Lipizzaners excel in requires great strength), the stallions are not particularly tall - about 15hh in horsey terms. And they are surprisingly gentle. Despite signs forbidding visitors to touch the stallions, the temptation, when presented with a soft velvety nose pressed to the bars of the looseboxes was too much. Add to that the interested stare from a pair of liquid, long-lashed eyes and I succumbed, illegally, when the guide wasn't looking.
On our way to the riding hall we stopped by a shady enclosure where the youngest foals, closely supervised by their mothers, lay outstretched sunbathing, dark stubby tails idly flicking away the flies.
So, having seen the equestrian stars in the making it was now time to see the culmination of years of training for which only the most talented of stallions are selected.
For the next 45 minutes a crowd of several hundred sat entranced as these beautiful, perfectly groomed horses and their elegant riders performed to music.
The show ended with three stallions, each accompanied by two trainers, practising the most difficult aspects of what is known as high dressage - the airs above the ground. Three riderless horses were put through their paces performing the levade and the capriole.
In the levade the stallion rears up on its hind legs and in the capriole the horse leaps into the air, its front legs tucked underneath and its back legs kicking out.
There was hardly a sound in the crowd, even among those who had earlier confessed to finding dressage as interesting as watching paint dry, as the horses performed what seemed to be almost impossible feats.
These were incredible examples of strength, co-ordination and communication between man and horse.
However, what enthralled me most were the combinations of horses and riders performing graceful pas de deux across the arena in exact time to the music, the horses' tails flowing, ears pricked while they gave consummate demonstrations of the fluidity and beauty of movement that has captivated humans for centuries.
SUPPLIED
BIG MOMENT: Preparing for the leap - a stallion poised to perform the capriole.
SUPPLIED
DOWN TIME: Lipizzaner mares in their stables in Lipica, Solvenia. They spend their day in pastures and the rest in their stables.
SUPPLIED
GOOD BREEDING: The illustrious pedigree of one of Lipica's stallions.
SUPPLIED
IN TUNE: A picture of concentration - rider and horse in perfect harmony in the arena.
Lipica, in western Slovenia, close to the Adriatic Sea and just two kilometres from the Italian border, is the original stud farm of the Lipizzaner horses, the most famous of which are the stars of the Spanish Riding School in Vienna.
Although the Vienna-based school now sources its horses from a stud farm within Austria's borders, Lipica is still inextricably linked with these beautiful white horses. Its story is also a microcosm of the shifting empires, allegiances and international borders that have been part of life in this corner of Slovenia for hundreds of years.
Twice I've been fortunate enough to watch the Spanish Riding School's practice sessions in Vienna but as a late northern European summer gave way to a warm autumn I had my first opportunity to visit the birthplace of the Lipizzaner breed.
The stud farm is nestled within limestone/marble country known as karst - a landscape characterised by caves, sinkholes, underground rivers and fluted, eroded outcrops. In fact, this region, Kras, is the origin of the geological term karst itself. New Zealand has its own karst landscapes, including Takaka Hill near Nelson and the Waitomo region in the Waikato.
What makes the karst landscapes around Lipica so distinctive is that rather than appearing typically barren and windswept, the stud farm is a world of rich shady pastures and tree-lined avenues. It's the result of more than 400 years of intensive interaction between man, horses and the environment. This unbroken relationship that is considered to be unreplicated anywhere else has ensured that not only is the stud farm and its historic buildings under national protection, the landscape is as well.
Oaks grow in profusion on the farm but so do linden (we know these tree better as limes). Lipica in the Slovenian language means little Linden.
In the late afternoon sunshine the trees were just starting to glow with the golds of early autumn. Staff plant a new linden tree to mark the birth of every foal.
White breeding mares and their foals grazed under the trees in paddocks alongside the main access road. What often strikes those unfamiliar with the Lipizzaner breed is that the foals are never white or grey.
These horses don't begin to turn white (in equestrian terms they are known as greys) until they are about 6 years old. Incidentally, true white horses have pink skin and sometimes blue eyes. Greys, including the Lipizzaners, have black skin and dark eyes. It was the crossing with Arab horses that introduced the grey to the Lipizzaner breed as before that they were traditionally black or bay (dark brown). Interestingly at the Spanish Riding School there is supposed to be always one dark stallion among the performers as a reminder of the horses' intriguing heritage.
Despite the horses' fame there are only about 3000 in the world, so Lipica is still a very special place and vital to the horses' survival. Breeding is carefully controlled to ensure the stock stays pure - the horses' lineage can be traced back to six of the foundation stallions in the 18th century.
Lipizzaners originated in Spain and were first brought to Lipica in 1580. These Spanish horses were a mix of Barb horses (from the Berber coast in North Africa), Andalucian and other Iberian Peninsula horses. They were brought to Lipica by the Habsburg emperor, Maximillian II, and crossed with other breeds (including a now extinct Italian breed). Arabian horses were bred into the mix from 1810.
The Habsburgs established the stud because they wanted to breed horses for the newly fashionable art of riding (as opposed to using horses simply for battle, transport and farming). They desired a horse that was strong but also agile and light on its feet.
The result is that today the Lipizzaner is regarded as one of the finest, if not the finest, riding horses in the world.
But there were many occasions over the intervening 400 years when the world nearly lost the Lipizzaners altogether. On numerous occasions the Lipica stud farm had to be evacuated, the first time in 1797 following the invasion by Napoleon, then again in 1802 into Hungary after a French occupation.
The 20th century was possibly the time of greatest upheaval for the horses. They were moved to safe havens in both world wars. The most famous of these escapes was probably that of 1945 when the Russians were advancing from the east into German-occupied territory that included Lipica. There were fears that the Russians might have used the precious horses for meat so at the command of General Patton (who had ridden in the Olympics) they were once again moved to safety. This saga was the subject of the only Disney film to be made with a war theme, which was released in 1963.
Visitors are given a refreshingly full tour of the stud farm. Refreshingly because it is all too common now to palm visitors off at attractions worldwide with a quick talk and fleeting inspection before herding them into the inevitable gift shop. Here at Lipica we had to ask how to even find the shop.
Our young guide took us first to see the breeding mares and geldings (which are used solely for riding lessons for paying customers) who spend part of their day outside in the pastures and the rest in stables. On the door of each stall is the horse's pedigree.
Most impressive of all, though, are the 18th-century stables known as Velbanca, which house the farm's true aristocrats - its stallions. This vaulted, cobble-stoned hall is home to up to 24 breeding stallions, all of whom descend from six original horses: Pluto, Conversano. Neapolitano, Maestoso, Favory and Siglavy. All but Siglavy (1810) were born in the late 1700s.
Although powerfully built (advance dressage that the Lipizzaners excel in requires great strength), the stallions are not particularly tall - about 15hh in horsey terms. And they are surprisingly gentle. Despite signs forbidding visitors to touch the stallions, the temptation, when presented with a soft velvety nose pressed to the bars of the looseboxes was too much. Add to that the interested stare from a pair of liquid, long-lashed eyes and I succumbed, illegally, when the guide wasn't looking.
On our way to the riding hall we stopped by a shady enclosure where the youngest foals, closely supervised by their mothers, lay outstretched sunbathing, dark stubby tails idly flicking away the flies.
So, having seen the equestrian stars in the making it was now time to see the culmination of years of training for which only the most talented of stallions are selected.
For the next 45 minutes a crowd of several hundred sat entranced as these beautiful, perfectly groomed horses and their elegant riders performed to music.
The show ended with three stallions, each accompanied by two trainers, practising the most difficult aspects of what is known as high dressage - the airs above the ground. Three riderless horses were put through their paces performing the levade and the capriole.
In the levade the stallion rears up on its hind legs and in the capriole the horse leaps into the air, its front legs tucked underneath and its back legs kicking out.
There was hardly a sound in the crowd, even among those who had earlier confessed to finding dressage as interesting as watching paint dry, as the horses performed what seemed to be almost impossible feats.
These were incredible examples of strength, co-ordination and communication between man and horse.
However, what enthralled me most were the combinations of horses and riders performing graceful pas de deux across the arena in exact time to the music, the horses' tails flowing, ears pricked while they gave consummate demonstrations of the fluidity and beauty of movement that has captivated humans for centuries.
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